Showing posts with label social media. Show all posts
Showing posts with label social media. Show all posts

Thursday, October 14, 2021

Big Danger

Several industries have been described as the New Big Tobacco, including Big Oil, Big Sugar and Big Tech. However, Lee Vinsel cautions against putting too much weight on the apparent parallels.

The tobacco industry is now known to have concealed what it knew about the health dangers of smoking for decades. In 1994, top executives of the seven largest tobacco companies appeared before a committee hearing on Capitol Hill and denied that nicotine was addictive. But American politicians and public no longer believed them.

In recent weeks, senators from both sides of US politics have drawn comparisons between Facebook and Big Tobacco.

  • Facebook is just like Big Tobacco, pushing a product that they know is harmful to the health of young people, pushing it to them early, all so Facebook can make money (Senator Ed Markey, D-Mass)
  • Facebook and Big Tech are facing a Big Tobacco moment (Senator Richard Blumenthal, D-Conn)
  • I think that that’s an appropriate analogy (Senator Cynthia Lummis, R-WY)

Meanwhile, climate activists are using similar language to describe Big Oil. Later this month, it will be the turn of the CEO of ExxonMobil to appear before a committee of the US Congress. Will this be a turning point for climate change denial?

One might imagine that Big Tech would be quite happy to see political and public attention focused on Big Oil rather than on themselves.

Another parallel might be the auto industry, which has spend many years misleading drivers and regulators about safety, fuel efficiency and emissions.

Meanwhile, Big Tobacco remains profitable, especially in the Third World, and is currently promoting Vaping as a supposedly safer alternative. Plus ça change.



Jonathan Freedland, Is Facebook the tobacco industry of the 21st century? (Guardian, 8 October 2021)

Mark Hertsgaard, Big tobacco got caught in a lie by Congress. Now it’s the oil industry’s turn (Guardian, 14 October 2021)

Mar Hicks, Facebook's Fall From Grace Looks a Lot Like Ford's (Wired, 14 October 2021) However, @STS_News (Lee Vinsel) finds fault with some of the historical detail in this article, and suggests that the apparent analogies may be misleading.

T.J. Kirkpatrick, Lawmakers See Path to Rein In Tech, but It Isn’t Smooth (New York Times, 9 October 2021)

Connor Perrett, Facebook exec Nick Clegg called Big Tobacco comparisons extremely misleading (Business Insider, 10 October 2021) 

Genna Reed, New Research Documents That Sugar Industry’s Playbook Goes Way Back (The Equation, 13 September 2016)

Salvador Rodriguez, Facebook used Big Tobacco playbook to exploit teens and children (CNBC, 30 September 2021)


Related posts: Defeating the Device Paradigm (October 2015), The Ethics of Diversion - Tobacco Example (September 2019)

Tuesday, October 12, 2021

Amplification and Attenuation

@STS_News (Lee Vinsel) poses a couple of important questions on Twitter

  • Have any of y'all seen any specific proposals for how to regulate Big Tech companies around mis/dis/harmful information?
  • Are there any so-far best philosophical/ethical treatments for why platforms *should* shutdown groups like Qanon?

I think it makes sense to start with the WHY question before tackling the HOW. In my post on The Ethics of Diversion - Tobacco Example (September 2019), I listed four ethical principles that might be relevant to that case, and discussed the need to balance these appropriately.

  • Minimum interference principle
  • Utilitarianism
  • Cautionary principle
  • Conflict of interest

If the primary justification for shutting down certain groups is to reduce the circulation of ideas that society has agreed to classify as undesirable, for whatever reason, then the minimum interference principle urges us to consider alternative (less extreme) measures that might achieve almost as much suppression with less interference. For example, instead of banning these groups from a given platform, it might be almost as effective to allow these groups to post whatever they like, provided that these posts are not picked up and recommended to others by the platform algorithm. Indeed, it might be safer to keep these groups on a well-controlled platform, rather than push them to migrate onto a less well-controlled platform.

In other words, in order to justify total shutdown, you have to demonstrate that this will produce significantly better outcomes than lighter regulation would.

However, in the case of the social media platforms, this is complicated by conflict of interest. The platform algorithms are designed to promote the commercial interests of the platform, and this means maximizing the engagement (or even addiction) of the so-called users. So society may not feel it can trust the platforms to manage the recommendation algorithms in a way that achieves the outcomes that society wants (and avoids the outcomes that society wants to prevent). And the algorithms themselves are generally not amenable to independent inspection, being incredibly complex and wrapped in commercial secrecy.

Meanwhile, not everyone is comfortable with the idea that ethical decisions should depend solely on the consequences of this or that action. If there is something clearly objectionable in the content that a given group wishes to post, or if we can demonstrate some evil intention behind it, surely we should be allowed to object to the content itself, not merely suppress its consequences? It may also be difficult to determine these consequences with any degree of accuracy, either in advance or retrospectively. So in addition to the consequentialist arguments we have already looked at, moral philosophers have identified a different class of argument, which they call deontological.

This includes arguments based on the intrinsic value of truth, and the idea that platforms should suppress material simply because it contains certain kinds of falsehood. However, I think this idea is insufficient as a basis for regulation, as I argue in my post on Ethical Communication in a Digital Age


There's obviously a lot more I could say about the WHY, but let me say a few words about the HOW. One way of understanding regulation and control comes from cybernetics. As we see from the work of Stafford Beer, for example, the behaviour of complex systems can be controlled by a combination of amplification and attenuation. In the world of social media, the critical question is which messages are selected for amplification.

In her article on Amplified Propaganda, Renée DiResta suggests that traditional top-down propaganda (which Chomsky called the Manufacture of Consent) has been replaced by the bottom-up creation and selective amplification of narratives that shape reality. She calls this Ampliganda.

In many cases, these narratives appear to emerge spontaneously from the crowd - this is sometimes called going viral. However, there are increasingly sophisticated ways of engineering and orchestrating these narratives, not just with bots but by convincing real people to participate in their propagation.

Meanwhile, if some things are being amplified, other things are being suppressed or ignored. In most cases, this is not the result of anyone actively deciding to suppress them, more a consequence of the fact that there is a finite quantity of attention. If a book or film or other cultural product receives poor reviews, or perhaps nobody even bothers to review it at all, then it is unlikely to become a best-seller. Similarly, the majority of the content on the internet will be read by at most a handful of people. It doesn't make sense to accuse the platform of exercising censorship, or to complain of being cancelled, simply because something fails to achieve a mass audience.

Furthermore, there are some structural reasons why certain types of content fails to attract an audience. In politics, there are limits to the kinds of idea that people are willing to take seriously - this is known as the Overton window. (However, this can change over time, for reasons that I can't go into here.)

But while the majority of people are comfortably inside the Overton window, there may be a significant minority who are attracted to groups positioned well outside the Overton window. So instead of asking how we should regulate the use of Big Tech by these groups (or some might say the cynical exploitation of these groups by Big Tech), maybe there are some larger questions about the regulation and/or liberation of discourse inside and outside the Overton window.



Renée DiResta, It’s Not Misinformation. It’s Amplified Propaganda (Atlantic, 9 October 2021)

Stanford Encyclopedia of Philosophy: Consequentialism, Deontological Ethics

Wikipedia: Overton Window

Related posts: Ethical Communication in a Digital Age (November 2018), Culture War - What Is It Good For? (July 2021)

Friday, August 20, 2021

Metrication and Demetrication

Yesterday evening I travelled across London for the opening of Ben Grosser's latest exhibition at the Arebyte Gallery, entitled Software for Less. 

Grosser's agenda is to disrupt the surveillance economy - enabling, encouraging and empowering users of social media to disengage from the glue traps laid for them by big data tech. The title of the exhibition is an answer to Mark Zuckerberg's compulsive repetition of the word "more", of which Grosser has compiled a 47 minute montage of video clips ("Order of Magnitude") prominently displayed at the entrance. Meanwhile Rachel O'Dwyer describes the paradox of Facebook: "an economy based on exponential growth ... an economy based on less".

In his book Crossing the Postmodern Divide (1992) Albert Borgmann extends the concept of hyperactivity to society as a whole, and defines it as "a state of mobilization where the richness and variety of social and cultural pursuits, and the natural pace of daily life, have been suspended to serve a higher, urgent cause" (p. 14). Psychiatrist Anna Lembke links this state with an excess of dopamine, and describes the smartphone as "the equivalent of the hypodermic needle for a wired generation".

In my post on YouTube Growth Hacking (November 2018), I mentioned Sophie Bishop's work on the anxiety, panic and self-optimization promoted by social media, and the precarity of those whose identity and self-worth depends on the number of likes and follows from other users, as measured by the platform algorithms.

On display at the Software for Less exhibition are a series of disengagement tools, including a demetrication filter (to hide those anxiety-provoking numbers counting followers and likes) and a random emotion generator (mixing up reactions of anger, sadness and joy to confuse the big tech algorithms). There are also platforms that are designed for constraint rather than overabundance, limiting the total number of posts to force the user to think whether each post is really necessary.

Perhaps for some users, these tools will provide a valuable remedy for addiction, hyperactivity and other mental and social issues. But perhaps for many other users, the point is not to actually use these tools, but simply to become more aware of the design choices that the big platforms have made, and the ability of users to resist.

 

In other news ...

August 2021. The Chinese authorities have just announced a demetrication programme, which they say is necessary to tackle online bullying and protect children. Online lists ranking celebrities by popularity are banned, and cultural products (songs, films, TV shows, etc.) should be primarily ranked by quality rather than the number of likes and comments. I mentioned Stan Culture (fan quan) in my post on A Cybernetics View of Data-Driven (August 2020)




Tim Adams, How artist Ben Grosser is cutting Mark Zuckerberg down to size (Guardian/Observer, 15 August 2021)

Helen Davidson, China bans celebrity rankings in bid to rectify chaos in the fan community (The Guardian, 27 August 2021)

Rebecca Edwards, Leave Me Alone (Arebyte Gallery, 2021)

Ben Grosser, Order of Magnitude (2019), Software for Less (28 July 2021)

Anna Lembke, Digital Addictions Are Drowning Us in Dopamine (WSJ, 13 August 2021). See also Jamie Waters, Constant craving: how digital media turned us all into dopamine addicts (Guardian/Observer 22 August 2021)

Vincent Ni, China bans reality talent shows to curb behaviours of idol fandoms (Guardian, 2 September 2021)

Rachel O'Dwyer, More or Less (Arebyte Gallery, 2021)

Related posts: Tablets and Hyperactivity (February 2013), YouTube Growth Hacking (November 2018), A Cybernetics View of Data-Driven (August 2020), The Social Dilemma (December 2020)